14 Blue Light Flare Transitions for Video Editing
14 MP4 | 1080p | 60fps | 31 MB
A number of people seemed to find them useful, so today I’m back with another collection of video resources! This pack of blue light flare transitions contains 14 short videos of bright flashes that help you create high-tech style transitions between your clips. Place them over your footage, then set the composite mode to Screen (or experiment with the other blending modes for different effects). This pack of blue light flare transitions contains 14 1080p 60fps video clips between 1-3 seconds in length. There’s a mix of fast bright flashes and slower blue bokeh effects that creep into the frame to give you the choice between intense cuts and subtle colour casts.
Essential Adobe Lightroom Course for Photo Editing
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch
Genre: eLearning | Language: English | Duration: 15 Lectures ( 3h 37m ) | Size: 1.7 GB
Domestika - Adobe Photoshop for Photo Editing and Retouching
https://www.domestika.org/en/courses/915-adobe-photoshop-for-photo-editing-and-retouching
Master this essential software's specific tools for photo editing to achieve professional results in your image processing
Gain full mastery of the most useful and powerful tools in Adobe Photoshop, the best software for professional photo editing. Learn how to take full advantage of your images with Daniel Arranz, professional photographer and certified Adobe expert, who in this course will teach you in-depth and from scratch how to use layers, selections, channels, and masks like a pro.
Video: .mp4 (1280x720, 30 fps(r)) | Audio: aac, 48000 Hz, 2ch | Size: 2.46 GB
Genre: eLearning Video | Duration: 42 lectures (3 hour, 23 mins) | Language: English
Master Photoshop Tools and Techniques for Creative Photo Editing in Photoshop | Old photo Restoration with Photoshop
Learn Gimp for photo editing and graphic documents
English | 6h 23m | Video 720p
Come learn how to get started with Gimp software
GIMP is a powerful software with large functionality, many tools and filters, and supports many formats used in digital imaging. It also has a very flexible interface and configurable to fit the needs of everyone.
As photographers, we have the ability to capture the world through our lens, so we’re tasked with the social and professional responsibility to properly represent people of color.
As early as I could remember in my career, I wanted to make sure that people who looked like me were going to be properly represented. I remember a lot of my friends complaining that there weren’t any photographers on our college campus that were able to capture the way they looked. Despite having competent work, they struggled with photographing and editing people of darker complexion, for example changing their skin tones or in a lot of the cases, using presets that don’t consider the nuances in different complexions.